Seller added the following information: Pay me securely with any major credit card through PayPal! Please check with your country’s customs office to determine what these additional costs will be prior to bidding/buying. These charges are the buyer’s responsibility. Taxes and charges are not included in the item price or shipping charges. International Buyers Please Note: Import duties. Visit our eBay Store: Custom Amp Covers" Click on our" m e" page for more information. The fine print: Buyer to pay within 7 days of sale. There are 18 TRIM COLOR OPTIONS(+$15) Please use the Contact Seller link or call us at 248.650.2509 if you would like to customize your cover. You can also customize the look of your cover by choosing any of 10 VINYL COLORS for the same price or have it made with 2 colors! +$5) In addition. Fit, durability and protection against damage to tolex, control knobs and grill cloth while keeping out dust and rain and preventing sun fade. Our vinyl has a generous felt backing on the inside so that our covers can provide it all- great look. We can still help! We make covers for thousands of amps and don’t charge extra for custom orders. The following link pictures the amp for which this cover is made: Each cover is made specifically for the amp listed and has properly positioned handle opening(s) If you don’t see your cover. more Made in the USA! This is a quality heavy duty vinyl protective cover for a Tone King Sky King 1x12 amplifer combo. Shipping usually takes place in 7-10 days.
Output PowerFully Adjustable from 0.1 Watts to 40 Watts Output Tubes4 x 6V6 (Cathode Biased, so it's easy!) Rectifier Tube5AR4 Preamp Tubes4 x 12AX7, 1 x 12AT7 SpeakerSingle 12" Custom Designed Eminence ReverbAll Tube with a FULL SIZE 3-Spring Pan FootswitchControls Channel Switching and Reverb Dimensions24.25" Wide 18.NOTE: Many of our covers are made when purchased/ordered due to the large number of CUSTOM OPTIONS available. Tone King's breakthrough Phase-4 power control technology is superior to these other approaches in its ability to retain not only the tone, but also the tactile feel of the amp's natural power tube overdrive, even at very low volume. Many amp companies have tried (Master Voltage, Master Volume, Power Scaling, etc) and fell short. Having separate power controls for each channel allows you to set the amp for a clean tone with lots of headroom on the Rhythm channel, and an overdriven tone on the Lead channel, while matching the volume level when you switch between channels.įor the Metropolitan, Tone King developed the Phase-4 output power system that allows the guitar player to get that full tube tone and feel at all volumes. These controls allow adjustment of the output power from 0.1W to 40W, continuously. DO NOT MISTAKE THIS FOR TWO SIMPLE OUTPUT VOLUMES! IT'S MUCH BETTER THAN THAT. It's also controlled (on/off) with the foot switch Mark Bartel designed this reverb circuit just like his other amps. The Lead Channel includes Volume, Tone, and Mid-Bite controls. This channel features a two position BRT (bright) switch as well as Volume, Treble, and Bass controls. This works like a typical amplifier hi/low input. These two channels are selectable with either the supplied footswitch, or by switch on the front of the amp panel. The Tone King Metropolitan features two separate channels - Rhythm and the Lead. This speaker compliments the Metropolitan well with it's warm midrange and bell-like top-end with more chime and less brilliant sharpness found in most "Fender-ish" amps. The speaker used in the Metropolitan is an Eminence Speaker that was custom designed by Mark Bartel specifically for this amp and cabinet. Lead Channel is extreemely versatile allowing one to attain tones from fat, greasy tweed overdrive to early Marshall Plexi type crunch, at any volume level. Rhythm Channel brings a wide variety of clean tones, from the sound of the original Tone King rhythm channel, to a new range of tones that include more midrange thickness and chime. You've heard amp companies say you will not want to put the guitar down when you play their amp, right? Well, in this case it's true! Believe us, it's apparent when you play it. The cab itself was built for resonance and is voiced to match the amp circuit. Meticulously designed, it may be one of the few boutique amps where the quality of the cabinet's construction equals the tone.
The creator, Mark Bartel, created the Metropolitan to be a versatile professional quality amplifier with vintage Fender overtones. One of the very best sounding used amps we've ever had in the store.
This amp is in fantastic shape with very little wear footswitch and manual are included. Up for sale from Sound Source Music is a Tone King Metropolitan Combo.